Dinosaur Jr. "Give a Glimpse of What Yer Not"Dinosaur Jr. "Give a Glimpse of What Yer Not"
$12.99 CD $18.99 LPLet's face facts - in 2016 it is remarkable that there's a new Dinosuar Jr album to go ape over. After all, the original line-up of the band (J Mascis, Lou Barlow & Murph) only recorded three full albums during their initial run in the 1980s. Everyone was gob-smacked when they reunited in 2005. Even more so when they opted to stay together, as they have for 11 years now (on and off). And with the release of Give a Glimpse Of What Yer Not, this trio redivisus has released more albums in the 21st Century than they did in the 20th. It's enough to make a man take a long, thoughtful slug of maple-flavored bourbon and count some lucky stars.
Dinosaur Jr. "I Bet On Sky"Dinosaur Jr. "I Bet On Sky"
$17.99 LP $12.99 CD $9.99 MP3I Bet on Sky is the third Dinosaur Jr. album since the original trio – J Mascis, Lou Barlow and Murph – reformed in 2005. And, crazily, it marks the band’s 10th studio album since their debut on Homestead Records in 1985. Back in the ‘80s, if anyone has suggested that these guys would be performing and recording at such a high level 27 years later, they would have been laughed out of the tree fort.
The trio has taken everything they’ve learned from the various projects they tackled over the years, and poured it directly into their current mix. J’s guitar approaches some of its most unhinged playing here, but there’s a sense of instrumental control that matches the sweet murk of his vocals (not that he always remembers to exercise control on stage, but that’s another milieu). This is head-bobbing riff-romance at the apex. Lou’s basswork shows a lot more melodicism now as well, although his two songs on I Bet on Sky retain the jagged rhythmic edge that has so often marked his work. And Murph…well, he still pounds the drums as hard and as strong as a pro wrestler, with deceptively simple structures that manage to interweave themselves perfectly with his bandmates’ melodic explosions.
After submerging myself in I Bet on Sky, it’s clear that the album is a true and worthy addition to the Dinosaur Jr. discography. It hews close enough to rock formalism to please the squares. Yet it is brilliantly imprinted with the trio’s magical equation, which is a gift to the rest of us. For a combo that began as anomalous fusion of hardcore punk and pop influences, Dinosaur Jr. have proven themselves to be unlikely masters of the long game.
Dinosaur Jr. "Farm"Dinosaur Jr. "Farm"
$12.99 CD $17.99 2xLP $9.99 MP3The worry about the reunion of the original Dinosaur Jr. line-up, more than 20 years after their formation and legendary dissolution, was that these guys were just flogging the back catalog as a marketing gimmick. With the release of Beyond, in 2007, the band gave a hearty Marshall-driven "F**K YOU!" answer to those inquiring ears. Restoring the sound established by the opening hat-trick gambit of Dinosaur, You're Living All Over Me, and Bug, the Beyond record continued the band's march into rock greatness by making old ears smile and new ears bleed afresh. And now comes Farm, the fifth full length record by the original line-up-J Mascis, Lou Barlow, and Murph--set to release on their new label home Jagjaguwar on June 23rd.
If Beyond was Dinosaur Jr.'s return to form, Farm is proof that this band continues to deliver that which makes rock worth cranking to 11. At times wholly 70's guitar-epic, at times perfect for sitting by a babbling brook with Joni and Neil, Farm encompasses Dinosaur Jr.'s signature palette - soaring and distorted guitar, unshakable hooks, honey-rich melodies - songs that get into your head and, bouncing around happily, stay there. The ear-catching "Plans" is nearly 7 minutes of classic whipped-topping rock dessert, while "I Don't Wanna Go There" is a meat-and-potatoes main dish, mixing unapologetic lead guitar with straight-ahead delivery a la James Gang or Humble Pie. These two tunes round out twelve tracks propelled by the unique energy of one of America's greatest living rock bands hitting their stride.
Farm was recorded in J Mascis' Bisquiteen studio in Amherst, Massachusetts, and was produced by Mascis.
Drunk "Raised Toward"Drunk "Raised Toward"
$11.00 CD $9.99 MP3RAISED TOWARD -- thirteen songs for sufficience and disregard. Drunk's third full-length release features the gently effective words of Rick Alverson set amidst the workings of a full range of musical contraptions. The songs Alverson and crew have put together on RAISED TOWARD are cut from the same cloth as those of many of the great lyrical composers of our time (and slightly before our time): Leonard Cohen, Tim Foljahn, Nick Cave and Mark Eitzel, to name a few. If RAISED TOWARD resonates in that special, timeless style, it is not for want of fragility or the grace of inexperience, or for lack of innovation and youthful exuberance. Drunk has all of these to spare. They are, according to one magazine, "far ahead... in the race to the define the new American sound."
Drunk "To Corner Wounds"Drunk "To Corner Wounds"
$11.00 CD $11.00 LP $9.99 MP3Drunk's harrowing second release is borne of circumstance and built on the back of various folk traditions. Whether the subjects conjured on TO CORNER WOUNDS arise from nostalgia or from fantasy, nothing is really stated. There are no morals. According to one magazine, TO CORNER WOUNDS evokes "a dreamworld where ghosts of the old world commingle diffidently with those of the new."
Drunk "a derby spiritual"Drunk "a derby spiritual"
$11.00 CD $9.99 MP3Celebratory, contemplative, melancholic: a quick description of Drunk's stunning debut, A DERBY SPIRITUAL. This is the album that established both Drunk as an important musical entity. According to one writer, "Drunk, all arpeggios and sentiment, are a cross between slow Sparklehorse, the Band singing about Dixie, and Russian dirges -- true smart rock for smart people (and really, really beautiful to boot)." According to Jennifer Nine, writer for Melody Maker, "Drunk, whose no-bones name could scarcely do justice to their graceful sweetness, know just what bones hold you together... [they] move with the drowsy precision of music-box figurines. They sound like a sleepy chamber orchestra in threadbare clothes..."
Foxygen "Hang"Foxygen "Hang"
$17.99 LP $6.99 Cassette $12.99 CDFoxygen is the Big Bang of two combusting minds. It's the splayed Galaxy of polar geniuses Sam France and Jonathan Rado. It's a handshake with a knife behind your back. A sleepless night in a five star hotel.
You listen to Hang properly. You take in each moment. Each new melody that threads forward from the fingertips of one of this generation's finest piano men in Jonathan Rado. And you fall in line behind Sam France's sprawling and reckless lyric. Witness his mastery. Feel them struggle against the walls of their own creations. Follow them there. To the perimeter. To the exit sign.
Notice that the two young guys aren't there anymore. They're outside looking for another joint to haunt. They're already out of sight.
Foxygen "...And Star Power"Foxygen "...And Star Power"
$13.99 2xCD $18.99 2xLP $9.99 MP3Foxygen have joined Star Power. It is a punk band, and you can be in it, too. Star Power is the radio station that you can hear only if you believe. We're all stars of the scene.
FOXYGEN... AND STAR POWER is the new DOUBLE ALBUM from Foxygen, a CINEMATIC AUDITORY ADVENTURE for the speedy freaks, skull krunchers, abductees, and misfits... Made by Foxygen at Dream Star Studios in their Secret Haunted House with the UFOs flying around in the sky.
A gaggle of guest stars. Roman-numeraled musical suites. Vocals recorded on a shoddy tape machine at The Beverly Hills Hotel and Chateau Marmont. A svelte 82-minute run time of psych-ward folk, cartoon fantasia, songs that morph into each other, weaving in and out of the head like UFO radio transmission skullkrush music. ADHD star power underground revolution. Soft-rock indulgences, D&D doomrock and paranoid bathroom rompers. Process is the point. A kaleidoscoping view. Blasphemy even the gods smile one. Rock and roll for the skull...*
*From Patty Smith's 1973 CREEM review of Todd Rundgren's A Wizard, A True Star. The section concludes "Todd Rundgren is preparing us for a generation of frenzied children who will dream in animation."
Foxygen "...And Star Power Jewel Case Version"Foxygen "...And Star Power Jewel Case Version"
$13.99 2xCDFoxygen have joined Star Power. It is a punk band, and you can be in it, too. Star Power is the radio station that you can hear only if you believe. We're all stars of the scene.
FOXYGEN... AND STAR POWER is the new DOUBLE ALBUM from Foxygen, a CINEMATIC AUDITORY ADVENTURE for the speedy freaks, skull krunchers, abductees, and misfits... Made by Foxygen at Dream Star Studios in their Secret Haunted House with the UFOs flying around in the sky.
A gaggle of guest stars. Roman-numeraled musical suites. Vocals recorded on a shoddy tape machine at The Beverly Hills Hotel and Chateau Marmont. A svelte 82-minute run time of psych-ward folk, cartoon fantasia, songs that morph into each other, weaving in and out of the head like UFO radio transmission skullkrush music. ADHD star power underground revolution. Soft-rock indulgences, D&D doomrock and paranoid bathroom rompers. Process is the point. A kaleidoscoping view. Blasphemy even the gods smile one. Rock and roll for the skull...*
*From Patty Smith's 1973 CREEM review of Todd Rundgren's A Wizard, A True Star. The section concludes "Todd Rundgren is preparing us for a generation of frenzied children who will dream in animation."
Foxygen "We Are the 21st Century Ambassadors of Peace & Magic"Foxygen "We Are the 21st Century Ambassadors of Peace & Magic"
$12.99 CD $16.99 LP $17.99 LP $8.99 MP3We Are the 21st Century Ambassadors of Peace & Magic is a precocious and cocksure joyride across California psychedelia with a burning, bursting punk rock engine. In the same year as Scott McKenzie the singer of "San Francisco (Be Sure To Wear Flowers In Your Hair)" leaves this mortal coil, Foxygen delivers unto us the dandy Glockenspiel-packing "San Francisco," which both circumvents and dissects McKenzie's tune and its many cousins of the era. "I left my love in San Francisco/(That's okay, I was bored anyway)/I left my love in a field/(That's okay, I was born in LA)" goes the lovely call-and-response chorus, slamming together the archetypal flower children of the 60s and the archetypal ADHD vapidity of our recent generations. Another highlight, "Shuggie," manages to fit all the light bounce of the song's namesake and the climbing choruses of ELO into it's 3 minutes while still filling the tune with imagery of "rhinoceros-shaped earrings" and haunted parlors. Every nook and cranny of the record is loaded with their unflappable, brazen personalities. Foxygen takes "swagger," that as-of-late misused adjective, back once and for all. It's flipping pyramids old and new upside down — from the miracle demo hand-off to their Richard Pryor-as-Jagger live shows to their singular idiosynchratic vision of rock n' roll.
Gayngs "Relayted"Gayngs "Relayted"
$12.99 CD $17.99 2xLP $9.99 MP3When Ryan Olson decided to make a record with Solid Gold members Zack Coulter and Adam Hurlburt, it was clear to them what the result would be: a collection of drugged-up keyboards and slick bedroom production almost exclusively inspired by 10cc’s “I’m Not In Love.” What they didn't know was that it would spiral into a project of epic proportions, enlisting the talents of over 25 musicians from various scenes around the country, relocating the base of operations from Olson's Minneapolis bedroom/studio to the Wisconsin-based studio April Base, and the genesis of a musical super-family, Gayngs.
Olson began calling upon an eclectic cast of contributors whom he thought would share his vision, and relish in the idea of exploring uncharted musical territory within them. The first people to join the cause were Megafaun and Ivan Howard of the Rosebuds. Bon Iver’s Justin Vernon and Mike Noyce were soon to follow. By mid-2009 the studio sessions were becoming more and more frequent, bouncing back and forth between April Base and Olson's bedroom. In Minneapolis, Olson brought in Rhymesayers rapper P.O.S and his fellow Doomtree artist Dessa, psych-rockers Jake Luck and Nick Ryan (Leisure Birds), song-birds Channy Moon-Casselle and Katy Morley, jazz-saxophonist Michael Lewis (Happy Apple, Andrew Bird), retro-pop duo Maggie Morrison and Grant Cutler (Lookbook), and slide-guitarist Shön Troth (Solid Gold).
Vocally, Gayngs is a triumph. Zack Coulter (Solid Gold) shines from the jump, floating over the record with his airy, haunting melodies. Fans of Bon Iver will recognize Vernon's familiar falsetto, but will flip when they hear his Bone Thug's-style R&B, while P.O.S. abandons his genre entirely for a soul inspired tenor. With over a dozen people contributing vocals, its incredible how cohesive the album sounds.
After a year of tracking and mixing, Gayngs is officially ready to release the album, entitled "Relayted". With each song written at 69 BPM's, and tripped-out transitions from song to song, it is truly an audio experience from start to finish.
Gordi "Reservoir"Gordi "Reservoir"
$17.99 LP $12.99 CD $17.99 LPOn the farm in rural Australia where 24-year-old Sophie Payten - AKA Gordi - grew up, there's a paddock that leads down to a river. A few hundred meters away sits another house, which belongs to her 93-year-old grandmother. The rest, she says, "is just beautiful space. And what else would you fill it with if not music?"
And so she did, first tinkling away on an out-of-tune piano, and then on the acoustic guitar she got for her 12th birthday. Gordi's first foray into songwriting came in the form of performances at her school’s weekly chapel. There the chrysalis of the music she's making now — a brooding, multi-layered blend of electronica and folk, with lyrics that tend to avoid well-trodden paths -- began to form. "I often find that writing about platonic relationships," she says, "can be a great deal more powerful than writing about romantic ones." "Heaven I Know," the first single from Gordi's debut album Reservoir, is an example of just that. With the breathy chant of "123" chugging along beneath the song's sparse melody and melancholic piano chords, "Heaven I Know" gazes at the embers of a fading friendship. The ramifications of loss ripple throughout Reservoir, which she wrote and recorded in Wisconsin, Reykjavik, Los Angeles, and Sydney. Gordi produced two of the tracks herself ("Heaven I Know" and "I'm Done"), and co-produced the rest.
When it comes down to it, the running thread of the album is its lyrics. "Music is kind of what encases this story that you're trying to tell," says Gordi. Her stories are stark, honest, and soul-searching. Like "the trifecta" of Billy Joel, Carole King and James Taylor that sound-tracked her upbringing, she's unafraid to sit in contemplative melancholy — a place she calls, fittingly, "the reservoir."
Jad Fair & Daniel Johnston "Lucky Sperms: Somewhat Humorous"Jad Fair & Daniel Johnston "Lucky Sperms: Somewhat Humorous"
$11.00 CD $9.99 MP3The Lucky Sperms: Somewhat Humorous by Jad Fair and Daniel Johnston is being released hot on the heels of the Jagjaguwar reissue of Jad and Daniel's once-sadly-overlooked opus It's Spooky (originally released in 1989.) It is a timely reunion of two of the most compelling and idiosyncratic songwriters to emerge from the post-punk rubble of the late-'70s. Their initial collaboration on It's Spooky seemed too good to be true. This time they have entered into the proverbial bat-cave with co-conspirator Chris Bultman and have created a piece of heaven on earth.
Recorded and produced by Jad Fair, The Lucky Sperms: Somewhat Humorous is made up mostly of songs composed skeletally and separately by Bultman, Fair and Johnston. With Bultman being the x-factor notwithstanding, what makes all of Jad and Daniel's shared works so special is the natural chemistry between them that is so readily apparent upon first listen of the record. There is an unrefined playfulness in their work, a playfulness not much unlike what was present on Bob Dylan and The Band's Basement Tapes.
Both Fair and Johnston have enjoyed long careers making music in their own unique way. They have forged their own paths and created their own mythologies, borrowing little from anybody else. Since 1977, Fair has--with his iconoclastic band Half Japanese, as a solo artist, or with collaborators Yo La Tengo, the Pastels or Teenage Fanclub--defied convention while continually tapping that primal-root-without-inhibition that most every artist strives for. Johnston, likewise, has unflinchingly plowed forth for the past twenty years with his own artistic vision. Since the early days of hawking his boombox-recorded cassettes on Austin, Texas, street corners, through his classic mid-period Shimmy-Disc albums, through the major label fiasco and to now, as he is at long last re-emerging as a public artist, Johnston has been making a clear case for his being one of this past quarter century's most important songwriters. He is nothing less than a visionary. It is no surprise, then, that each of Jad and Daniel's trademark personalities are in full-regalia on this new record. (How could such large personalities be anything but?) It blissfully follows--true to the form of all of their past works--that The Lucky Sperms: Somewhat Humorous is another chapter in a magical trip through the child-like universe of two kids at heart. On it, both of them uninhibitedly walk you through their best fantasies and worst dreams.
Jamila Woods "HEAVN Secretly Society Exclusive"
Julie Doiron "I Can Wonder What You Did With Your Day"Julie Doiron "I Can Wonder What You Did With Your Day"
$12.99 CD $12.99 LP $9.99 MP3Everything is coming together in Julie Doiron's world, from embracing her electric past, to embarking on a new and energetic phase of her solo career with some of the most upbeat and inspiring songs of her recording career. I Can Wonder What You Did With Your Day — which arrives on the heels of the album Lost Wisdom, Doiron and her bandmate Fred Squire’s recent critically-acclaimed collaboration with Mt. Eerie — presents listeners with an album that reflects both her continued growth as an artist and a renewed optimism as a songwriter as well. As has often been the case, Doiron’s songwriting is rooted in what’s happening around her.
More than any other songwriter, you can tell exactly what's going on in her life. Direct and painfully honest, she lays it all out in her lyrics. "I just sing about what's happening," she admits, resigned to her style. "I don't know how to do anything else. I don't know how to write any other way. I've wanted to... I've tried! Because sometimes I feel like maybe I shouldn't be so direct, but I don't know how."
In addition to this new perspective, Doiron has made an album which showcases a thick distortion and melodic pop not heard since her days with indie heroes Eric's Trip in the '90s. It's part of a desire to get back to her electric days with that band. The past couple of years have seen Eric's Trip regroup for triumphant reunion tours, and a rekindling of her work with Trip mainstay Rick White (who produced her 2007 Polaris Prize-nominated album Woke Myself Up, and returned for this album). I Can Wonder was recorded at White's isolated home studio, just northwest of Toronto. Doiron handled the electric and acoustic guitar parts, Rick played all the bass and keyboards, and Fred Squire performed all the drums and some lead guitar. Squire, who comes from Sackville, New Brunswick, is Julie's bandmate in another of her projects, Calm Down It's Monday.
Julie Doiron "Loneliest In The Morning"Julie Doiron "Loneliest In The Morning"
$12.99 CD $9.99 MP3Originally released in 1997 by Sub Pop, Loneliest In The Morning was Doiron’s second solo release and her first release as Julie Doiron (having dropped the moniker Broken Girl). This re-issue comes complete with three bonus tracks: “Second Time” from split 7” with Snailhouse and the tracks “Who Will Be The One” and “Too Much” from the 7” release Doiron recorded with the Wooden Stars. Loneliest In The Morning — an album Pitchfork described as “catchy enough to knock Liz Phair upside the head” — is a critical piece to the Doiron catalog and given the wonderful relationship Doiron and Jagjaguwar have forged over the last decade, this re-issue is particularly significant.
Julie Doiron began her career in music in 1990 at the age of 18 in Moncton, New Brunswick, Canada playing bass in Eric's Trip, a folky yet psychedelic band that were to become the undisputed underground darlings of Canadian music. Eric's Trip were the first of many maritime Canadians signed to Sub Pop and found international recognition, releasing several albums and touring widely. Following 1996's Purple Blue, Eric's Trip announced their breakup and Julie Doiron embarked on her solo career, first releasing songs as Broken Girl and soon under her own name starting with Loneliest In The Morning, which was recorded in Memphis, TN with producer Dave Shouse of the Grifters. She has released seven full-lengths and three EPs, including the Juno Award-winning Julie Doiron & the Wooden Stars album.
Julie Doiron "Woke Myself Up"Julie Doiron "Woke Myself Up"
$11.00 LP $12.99 CD $9.99 MP3We all are driven to doing certain things and making certain decisions in our lives for any number of reasons, be it ambition, fear, greed or love. The last purpose is perhaps the most identifiable to most of us, and so it is no great mystery that that which drives us can both reward us immensely and plummet us into the greatest depths of inconsolable sadness and regret. On Julie Doiron’s first album of new material in over two years, she addresses in her signature intimate songwriting style both the heights and the fallout in a way that forces the listener to reexamine their own loves.
One of the most important and greatest loves in Julie’s life is that towards her family. The first half of Woke Myself Up details the joy and awe that her family has given her. Immediately, one knows that her unabashed and unaffected lyrics are coming from a woman truly moved. The second half sees Julie making mistakes, blowing second chances, and coming to terms with the sad truth that one cannot live up to expectations set by herself or those she loves. The harrowing untitled final track (recorded and added to the album at the eleventh hour by Doiron) may very well be the most affecting of Doiron’s performances ever committed to tape.
Also important to the recording of this album was a reunion of sorts with her musical family. Founding Eric’s Trip bandmate Rick White produced and played on the entire album, and a handful of the songs contain the entire original Eric’s Trip band nucleus that took the Canadian indie underground by storm 15 years ago. Working with an old friend and collaborator like White was key to this album’s intensely vulnerable and emotionally raw tone. What’s captured is timeless and universal, in the same way as Cat Power’s Moon Pix, Leonard Cohen’s Songs of Love And Hate, and Joni Mitchell’s Blue.
Julie Doiron "Goodnight Nobody"Julie Doiron "Goodnight Nobody"
$12.99 CD $9.99 MP3Goodnight Nobody finds an unguarded Julie Doiron, efficiently but undeliberately creating her first masterpiece in only a few days time at three different locations. Ploughing through the studio in just a few days with a gangly crew of musicians, the result is a collection of songs that all are “allowed” to speak for themselves. Their instinctive “rawness” remains intact, not cooked out by incessant knob twiddling or second-guessing. With the help of friends like Herman Dune (who also perform as her European touring band) and ex-Eric’s Trip collaborator Rick White, she has taken the textures of her first widely released full-length Loneliest in the Morning and mixed them with the crystalline vocal performance of her most recent full-length Heart and Crime. Goodnight Nobody is the end product, the best of both worlds, downcast and moody pop tunes right from the heart, aimed straight at the heart. Even though she is described frequently in the press as an “indie-diva” or “chanteuse” of the highest power, Julie Doiron fits these well-intentioned approbations only in that she is a woman singer comfortable in her own skin. Under-reported are her signature guitar-stylings and her singular mastery of conveying mood and sentiment in song. For fans of Cat Power, Leonard Cohen and Hayden.
Julie Doiron "Broken Girl"Julie Doiron "Broken Girl"
$11.00 CD $9.99 MP3Jagjaguwar is proud to release the long lost Julie Doiron album Broken Girl, expanded to include her first two 7"es. It was originally released in 1996 (in a scant edition of 1000) by Doiron after her band--the psychedelic folk group Eric's Trip — had crumbled around her, under the temporary moniker "Broken Girl". The name did nothing to hide her feelings regarding the breakup of her band and the relationships that she shared with its members; neither did the songs on the record. The twelve songs from the original album come across like an epitaph for a departed lover. Broken Girl was a watershed for Doiron, showing her to be the sort of songwriter and performer that Eric's Trip only hinted at. Achingly beautiful and showcasing her vocal style and personality as a songwriter, the reviews immediately put her in the same class as Leonard Cohen in terms of importance as a Canadian solo artist. The album was self-recorded in the same home-y manner as the classic Eric's Trip albums which helped--along with albums by peers Sebadoh, East River Pipe and Smog — define the bedroom aesthetic of the early '90s. While some rock scribes would call it lo-fi, the fidelity of the recordings that Doiron and her Eric's Trip mates employed in the first half of the '90s was clearly the most appropriate medium. The close-mic'ing of everything from the vocals to the swirling guitars and peaking drums created a sense of real intimacy (while avoiding a lot of the awkward pitfalls that so many confessional songwriters run into) and suburban claustrophobia. Rolling Stone wrote, "Fellow Canadian songwriter Leonard Cohen once titled an album Songs From A Room. Montreal-based Julie Doiron apparently took up residence there and removed whatever furniture was left behind."
Julie Doiron "Will You Still Love Me?"Julie Doiron "Will You Still Love Me?"
$7.50 CDEP $4.99 MP3Will You Still Love Me? and Julie Doiron and the Wooden Stars are the two much-acclaimed albums that Julie Doiron released on Tree Records in 1999 (the latter was also released on her own Sappy Records imprint in Canada, where it won the 2000 Juno Award-the Canadian equivalent to the Grammy-for best independently released record of the year). Having been out of print for the greater part of two years, Jagjaguwar is proud to reintroduce them to the record buying public in newly packaged form, with upgraded booklets that include lyrics for the first time. Also, the Julie Doiron and the Wooden Stars CD will include a compressed version of her video for the song "Dance Music", accessible to fans with personal computers. After a solo album on Sub Pop (her home for the previous decade with Eric's Trip), Doiron found a good home in Tree, for whom she first released Will You Still Love Me? As the inaugural EP, it was also a creative spring-board for Doiron, a mini-album that has endured as a fan favorite. Adored for its sparse, no-nonsense demeanor, the EP offers a first glimpse at what has become Doiron's signature style, the moody union of vocals and guitar whose unified tone both expresses and evokes a timeless longing for a comforting, primal maternalism.
Julie Doiron "Heart And Crime"Julie Doiron "Heart And Crime"
$11.00 CD $9.99 MP3One writer puts it best: "Fellow Canadian songwriter Leonard Cohen once titled an album Songs From A Room. Montreal-based Julie Doiron apparently took up residence there and removed whatever furniture was left behind." Heart And Crime is the follow-up to the much acclaimed Julie Doiron and the Wooden Stars (winner of the coveted Canadian entertainment award, the Juno, for 2000) and comes hot on the heels of the French-sung Jagjaguwar release Desormais. Like her previous records, Heart And Crime abhors unneccessary accoutrements. It relies on naked and minimal arrangements to propel familiar themes of self-doubt, hope, longing and sadness. The tone of intimacy throughout the record is like that which comes after three bottles of wine; a solitary singer with guitar, singing to herself, accompanied only by the sounds coming through the wall. Described frequently in the press as an "indie-diva" or "chanteuse" of the highest power, Doiron fits these well-intentioned approbations only in that she is a woman singer comfortable in her own skin. Under-reported are her signature guitar-stylings and her singular mastery of earnestly conveying mood and sentiment in the body of song. The latter is where she outpaces contemporaries like Edith Frost, Mia Doi Todd, Catpower, Elliot Smith or Beth Orton. Doiron seems destined for the pantheon of important singer-songwriters of this generation, and her affective powers are significant. According to another writer, Doiron's "moody minor key whispers make Joni Mitchell seem almost giddy by comparison."
Julie Doiron "Desormais"Julie Doiron "Desormais"
$11.00 CD $9.99 MP3Julie Doiron is the most entrancing chanteuse at this North American block party. Fans of her work as a founding member of early '90s hyper-moody Eric's Trip will be thrilled with this latest chapter in her unfurling body of work. Desormais is the French-language record Doiron has always wanted to create. Although the full-length is mostly sung in French (all but one song), it still contains all of the hallmark characteristics of Doiron's songwriting; it is a record that contains music of spartan beauty while the songs all tend towards moodiness but hedge themselves by steadfastly remaining understated. Whether or not you understand the French tongue, Doiron's stylized guitar and vocal melodicism are so lyrical that they transcend the need for translation. It is no surprise that this Acadian songwriter from Montreal, Quebec, is often compared to songwriters of a previous generation. Perhaps the most appropriate comment made by any writer is how Doiron's "moody minor key whispers make Joni Mitchell seem almost giddy by comparison."
Julie Doiron and the Wooden Stars "s/t"Julie Doiron and the Wooden Stars "s/t"
$11.00 CD $15.99 LP $9.99 MP3After a solo album on Sub Pop (her home for the previous decade with Eric's Trip), Doiron found a good home in Tree, for whom she first released Will You Still Love Me? As the inaugural EP, it was also a creative spring-board for Doiron, a mini-album that has endured as a fan favorite. Adored for its sparse, no-nonsense demeanor, the EP offers a first glimpse at what has become Doiron's signature style, the moody union of vocals and guitar whose unified tone both expresses and evokes a timeless longing for a comforting, primal maternalism.
From that understated gem she launched right into her most critically-acclaimed and accessible album, Julie Doiron and the Wooden Stars. Ottawa-based quartet the Wooden Stars played as the back-up band and helped Doiron step out of her solitary, introspective robe and venture into a more urgent and upbeat, albeit still relatively spartan, direction. Combining elements of rock and jazz-a la Joni Mitchell's early '70s work-Julie and the Wooden Stars somehow translated the coldness of the Canadian winter into one of the warmest and most tender records to be produced in the Eastern province in years.
Ladyhawk "Shots"Ladyhawk "Shots"
$12.99 CD $9.99 MP3Ladyhawk's kiss-of-death evokes the devilish sounds of Goats Head Soup guitars, the honey-slides and howling of Neil Young in his darkest hours, and the phantoms that haunted Roky Erickson at the Holiday Inn. Recorded over a period of two weeks in an abandoned farm house behind the shopping mall in the band's childhood hometown of Kelowna, British Columbia, Shots is an album filled with the cold creaking and ghostly echoes of the old house in the dead of winter. Like a party for the last house standing in a sea of strip malls and condos, surely near the end of its time.
Ladyhawk "S/T"Ladyhawk "S/T"
$12.99 CD $9.99 MP3Ladyhawk's core is bracing rock. Neil Young's Tonight's The Night is the hailstorm on the hood of The Replacements Let It Be, while distorted guitars invoke the thread and swerve of Silkworm and Dinosaur Jr. Helped along the way by Amber Webber (vocals) and Josh Wells (percussion, organ, singing) of Black Mountain, it will be hard to find a more hauntingly beautiful set of rock music than this debut. It was recorded and mixed, with the help of Black Mountaineers Wells and Matthew Camirand, in the "Karachi Vice" clubhouse, in the back of a furniture factory, amongst chicken and fish processing plants. With some of the more “inexpensive” ladies of the night scattered about, it captures the bottlenecked frenzy of their much-loved live show. There, each night, these grown-up kids at heart fall over, get right back up, cry on shoulders and fold the day in halves, watching the sun come up over the dashboard.
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